Molemo Mosebo, She is felt - Not seen. Digital photograph. 18 x 24 inches. Central University of Technology, Free State, South Africa, 2026
Project Statement
This artwork looks at the "feminine gaze" as something that is fluid and intuitive rather than clearly defined. It challenges the usual ways women are shown, which often depend on a clear identity or look. By covering the subject's eyes with a floral blindfold, the most recognizable part of the face is hidden. This makes it harder for the viewer to simply "label" or objectify her. The blindfold features red roses, which represent both beauty and the limits placed on women by society. It suggests that while femininity is often shaped by what others expect, there is also a deeper, internal experience happening. The person in the image isn't there just to be looked at; she exists in her own emotional world. The white flowers she holds represent softness and quiet strength. They show that femininity can be powerful without needing to be fully explained or seen. The dark, moody lighting and plain background keep the focus entirely on the subject. This encourages the viewer to feel the emotion of the piece instead of just looking at it. In the end, this work shows that the gaze is something you feel rather than see, and that femininity is complex and always changing.
This artwork looks at the "feminine gaze" as something that is fluid and intuitive rather than clearly defined. It challenges the usual ways women are shown, which often depend on a clear identity or look. By covering the subject's eyes with a floral blindfold, the most recognizable part of the face is hidden. This makes it harder for the viewer to simply "label" or objectify her. The blindfold features red roses, which represent both beauty and the limits placed on women by society. It suggests that while femininity is often shaped by what others expect, there is also a deeper, internal experience happening. The person in the image isn't there just to be looked at; she exists in her own emotional world. The white flowers she holds represent softness and quiet strength. They show that femininity can be powerful without needing to be fully explained or seen. The dark, moody lighting and plain background keep the focus entirely on the subject. This encourages the viewer to feel the emotion of the piece instead of just looking at it. In the end, this work shows that the gaze is something you feel rather than see, and that femininity is complex and always changing.
Self Reflection
Throughout the development of this project, feedback and discussion played an important role in refining the concept and visual direction. In my Initial ideas, I was focused more on an aesthetic representation of a woman, but my concept evolved into a more intentional exploration of identity and perception within the feminine gaze.
I also learned the importance of balancing concept and execution. Feedback encouraged me to simplify the composition and focus on fewer, more meaningful elements rather than overcomplicating the visual narrative.
This process improved my ability to think clearly about my design choices and to justify them in theory. It also reinforced the value of collaboration in expanding creative perspectives and pushing ideas further than I would have done independently.